Roger Waters Performing the Dark Side of the Moon

Gelredome, Arnhem, 5 May 2007



This was the second time for me to watch a concert in Gelredome stadium in Arnhem. The situation before the concert was typical. I arrived about one hour before scheduled time on the ticket and the Arnhem train station was full with people who wanted to go to Gelredome. As usual the special shuttle buses were ready and we timidly (well...almost) queued to get in to the bus. Slightly different with concert of Coldplay two years ago, this time the majority was older people because this was the concert of the legendary Roger Waters from Pink Floyd. I think I was younger than the average age, due to the fact that I even had not yet born when Pink Floyd released The Dark Side of the Moon, which was planned to be performed completely by Roger that evening.

After a short ride with the bus, we were approaching the stadium. There was even more crowds at the location, some were already queuing to enter the arena, some were still enjoying the sunny weather. I bought my second Roger Waters t-shirt (the first one was a gift from Brain Damage, thanks!) and then I need to walk around half of the stadium to reach the correct entrance gate based on my ticket. This time I chose a seat at the furthest tribune from the stage but with frontal view so I could fully enjoy the visual entertainment of the concert.

When I entered, the field was already half full of people and most of the tribune seats were already occupied. The show that evening was sold out anyway.
My seat was quite low and a bit to the right from the central line to the stage. The stage was far, I think it was about 100 metres from my seat. I had a wide view of almost every thing, the only obstacle was two thick speaker wires at the center of the field, hanging vertically to several huge speakers on the ceiling. I was surrounded by old and young audiences, mostly in groups. I think some of them were family and father-and-son pairs. It's nice to see that the progressive rock music was regenerated smoothly :).

The stage layout was really promising for visual entertainment. There were two projection screens at both sides of the stage and one huge video screen at the background of the stage.
The video screen showed still image of a radio transistor with an airplane miniature on top of it, a half full whiskey bottle, a half full glass, and an ashtray.

After waiting for almost an hour, the show was started in a real progressive style. We saw smokes on the screen, and then there was a hand turned on the radio and turned the knob to choose channel. We listened to some old songs, I recognized Hound Dog from Elvis and a song from ABBA that was switched almost immediately by the hand, meanwhile the hand drank the whiskey from the glass and the lights of the stadium were turned off.

Around 8 o' clock, while we were still enjoying the old tunes from the radio, Roger Waters entered the stage, walked and waved to the audience. Then he shouted "Lights! Turn on the sound effects! Action!", which started In The Flesh.
This powerful song was really perfect as an opening, with its theme, its loudness, and with extra fireworks at the end of the song. The video screen also helped a lot with the original animation from The Wall.

The second song was also from The Wall album, Mother. Roger played the acoustic guitar and the mother part was sung by one of the backing vocalists.

The next song was a Pink Floyd classic. Set the Controls for the Heart of the Sun was performed with a slightly different arrangement than the original, but tend to inherit the version from In The Flesh tour/DVD with the sax solo. I enjoyed a lot the animation during the song, started with image of sun flare, then old black and white shoots of young Pink Floyd members, and the psychedelic bubbles along the climax end of the song before finally showed again the sun flare.

While the sun flare on the screen was zoomed out and the video showed the wide universe with many stars, the familiar intro of Shine On You Crazy Diamond was played, responded by big applause from the crowd. This song was one of the highlights of the show, with positive response from the crowd and several pictures of Syd on the screen.

Shine on You Crazy Diamond

The show was continued with another song from Wish You Were Here album, Have a Cigar. I found the sound was a bit too loud on this song and Roger's vocal quality was a bit too perfect. Nevertheless, the ending of the song was brilliant. The guitar solo was ended abruptly, and then the screen showed back the radio and the hand switched channels, exactly the same effect as in the album, until the acoustic guitar intro of Wish You Were Here was played. It was great!!!
The WYWH itself was perfectly performed, with nice acoustic guitar solos from Dave Kilminster.

The show moved on with newer songs from Final Cut album that already became standard Roger Waters live songs, Southampton Dock followed by The Fletcher Memorial Home. Roger's emotion was intense, expressed on his face when he sang the songs. The guitar solo on The Fletcher was very good.

After songs from Pink Floyd era, the video screen showed the astronaut accompanying the intro of Perfect Sense. This was followed by the appearance of an astronaut balloon from left corner of the stadium, floating nicely along with the relax piano and breathing sound of the song. This song combined perfectly the perfect surround sound effect, thanks to the quadraphonic sound system, and nice visual especially the part where Roger acted as the submarine shooter destroyed an oil rig (also with a real explosion on the stage!). PP Arnold also performed her vocal part perfectly, supported with the crowd sang the line “Can't you see? It all makes perfect sense”.

As a 'new' song, Roger introduced Leaving Beirut as a reflection of his visit to Lebanon when he was 19 and being hosted with great hospitality by a family there. The lyrics expressed his story, combined with some political messages related to US influence in the Middle East. We could follow the complete lyrics as it was transformed as cartoon images on the screen. There were some interesting parts in the lyrics, for example 'That Texas education must have fucked you up', pointed to Bush, and a mention of Atticus Finch, a fictional character from To Kill a Mockingbird novel, which accidentally I just read.

The first set was closed with Sheep. This song gave ultimate ending for the set. The quadraphonic system once again used perfectly for the animals sound (the dog howling sounded so real!). And..off course, everyone expected the pig flies. It floated around quite long, with several writings on it such as 'Stop Bush Now' on the side and 'What an asshole!' on its rear.

Flying pig during Sheep

During the break, I could enjoy the satisfaction on majority of the audiences, especially the older people. Meanwhile the screen displayed image of the moon, which very slowly looked bigger and bigger until the lights were off once again and the heart beat sound filling the stadium. This sound was reflected as a red dot at the moon orbit, which grew closer and turned out to be a satellite, focused on the center of the screen at the screaming sound at the end of Speak To Me.

The second set was a complete performance of the Dark Side of the Moon.

Breathe was sung perfectly by Jon Carin. The sound effects during On the Run were brilliant, extended with several extra effects such as sirens, trains, and braking car sounds. The visual was pretty much the same as the original animation or the one showed in the PULSE DVD.

Time was another perfect performance from the band, started with very real ticking and ringing clocks, then with nice percussions. I always like the part when the song was blended back to Breathe..”home..home again..”.

Further on, Carol Kenyon performed a wonderful voice on The Great Gig in the Sky. She got a very warm applause by the audience.

Money was, as always, everyone's favorite. Roger Waters looked very much enjoy playing the bass and singing this song. Us and Them also was crowd's favorite. I like the smoothness and calmness of this song.

Any Colour You Like was also wonderful. The guitar sounds were nice.
During Brain Damage, there was a pyramid shape placed above the stage, which was turning and sending colourful laser beam throughout the stadium. The sound was also brilliant, the laughs sounded very real.
The DSOTM set was ended by Eclipse, a short song that closed by the heart beat sound as the beginning of the set.

The crowd went crazy, clapped and shouted when the band disappeared behind the stage. They would not stop until finally Roger and the other musicians back on the stage and performed the encore.

The encore comprised songs from The Wall, started with The Happiest Days of Our Lives followed by Another Brick in the Wall (part 2), where it seemed like nobody could not sing it. Snowy White played the solo almost as perfect as David Gilmour.

Vera was sung with lots of emotion by Roger and most of the crowds also sang along with him. As in the album, Vera was followed with Bring the Boys Back Home, with visualization of war scene complete with bomb explosions and smokes.

The show was closed with the classic ending song of Roger Waters' concert, the famous psychotic Comfortably Numb. The guitar solos were played nicely by both Dave Kilminster and Snowy White. The screen displayed again the radio transistor, but this time exposed the hand owner, a man seated almost laid down on the couch, smoking and staring to infinity, very good illustration of a comfortable numb.

Then it was over. For me it was the most spectacular concert that I ever experienced, in terms of the visual, the sound quality, and the whole integrity of the show production. On the other hand, maybe because of the size of the show, I missed the intimacy and communication between the musicians and the audiences that usually quite intense in the smaller shows.


Concert set list:

First set:
- In the Flesh
- Mother
- Set the Controls for the Heart of the Sun
- Shine On You Crazy Diamond Parts 1-5
- Have a Cigar
- Wish You Were Here
- Southampton Dock
- The Fletcher Memorial Home
- Perfect Sense Part 1 and 2
- Leaving Beirut
- Sheep

Second set:
The Dark Side of the Moon

Encore:
- The Happiest Days of Our Lives
- Another Brick in the Wall, Part II
- Vera
- Bring the Boys Back Home
- Comfortably Numb


Musicians:
Roger Waters – Vocals, bass guitar and acoustic guitar
Andy Fairweather-Low – Guitar, bass and backing vocals
Snowy White – Guitar
Dave Kilminster – Guitar, vocals and additional bass
Jon Carin – Synthesizer, guitar, lap steel guitar and vocals
Harry Waters – Hammond organ and synthesizer
Ian Ritchie – Saxophone, EWI and additional bass
Graham Broad – Drums and percussion
Katie Kissoon - Backing vocals
P. P. Arnold - Backing vocals
Carol Kenyon – Backing vocals