Marillion - Happiness on the Road

Vereeniging, Nijmegen, 24 November 2008

Happiness is the Road (HitR) is the latest album of Marillion, released on 20 October 2008, only can be bought at Marillion web site unless you are in Poland or North America. Continuing the success strategy of deluxe edition campaign with Anoraknophobia and Marbles, the new album was available for pre-order since last year. Moreover, smart as ever, Marillion also pioneered the legal peer-to-peer free distribution of the digital version of the new album (yes, free...with a twist). This was even online before the release date of the album.

I had considered to pre-order HitR, but held back because it was pretty expensive and I was not sure about the quality. In the end I downloaded the digital version, blown back by the wonderful new songs, and decided to watch them live (where I presumed I could buy the CD).

With very loyal fans base in Holland, the Happiness on the Road tour included 4 dates in a row in Holland. The Tilburg show had been sold out, which was a tradition. I chose the show at Vereeniging, Nijmegen, where I watched The Musical Box before. I liked the Vereeniging theater, very old and classic so that I thought it would be perfectly suitable with the ambience of the new songs.

The show was on a cold Monday evening after a snowy weekend. I went directly from the office to the show. Vereeniging was a nice location, lots of parking places nearby. I arrived there few moments before the door was open, around 19.30. The checking was very minimal, just the ticket. My backpack with camera was untouched. I spotted the tour merchandises corner and walked there. As I predicted, the new albums are abundant there, even the deluxe edition (although the price is exactly the same as buying on the marillion.com). The t-shirts had nice designs, particularly the asylum satellite. Lucky that I had my backpack, the deluxe edition box was so thick!

It was pretty empty inside the hall at that time. The stage was nicely set and the standing area had no boundary with the stage, very nice. Quite some distances to the back, behind the soundboard area, there were permanent tribune seats. There were already some people occupied the seats, also few seats on the balcony. I had good experience sitting on the balcony, so I decided to move upstairs. I chose the left wing, which I slightly regretted later because I could not have complete view of Steve Rothery.

We waited quite some times before the opening act, Sine Star Project, performed. They were quite good performer with adequate progressive style. Some songs were mellow, dominated with keyboards and pedal steel guitar that reminded me of David Gilmour and Pink Floyd songs. The other songs were heavier style, fast tempo and lots of low guitar riffs. They performed about 40 minutes, gained lukewarm applause from the crowds.

We waited again after that, while the stage was rearranged. It was nice to watch the crew setup the stage with high precision and agility. The stage layout was Marillion standard. Ian's drum set and Mark's tower of keyboards at the back, Pete at the right side, Steve Rothery at the left, and Hogarth's keyboard at the middle, side by side with mic stand attached with different kind of percussions.

Around 9.30 the lights were dimmed, Ian and Mark ready on position, and then Pete, Steve, and Hogarth entered the stage. They opened the set with a new song, Dreamy Street followed with This Train is My Life. Hogarth wore long robe, barefoot, very relax. Mark Kelly wore the same shirt, I think, as the one at Snow-where Else tour last year (..duh..). Pete looked a bit older but very agile as always. The projection screen was nice, displayed different images related with the songs. The sound quality was very good, no echo, not too loud, I could hear almost all details. The train background sound was very nice.

After a quick hello from Hogarth to the crowd, they performed another sequence from the new album, Nothing Fills the Hole and Woke Up. The crowd enjoyed the crunchy guitar sounds and deep bass sound here.

After another small chat with the crowd, they gave The Other Half from the previous album. Then came Essence, one of my favorite songs from HitR. Hogarth's voice soared nicely in this song.

Then came an old song, Beautiful from Afraid of Sunlight (AoS) album. I think the whole theater sang together the whole song.
If I remembered correctly, after that Hogarth announced that the next day would be Steve Rothery's birthday. After a long clapping, we sang happy birthday and For He's a Jolly Good Fellow together for him.

Another new song, this time from the second part of the HitR, The Man from the Planet Marzipan. It was beautiful song and Hogarth was very expressive as the Planet Marzipan man. He opened his robe and showed his skin because the air was so thin :).

Another song from AoS, Hogarth gave a short introduction about Donald Campbell, racer who had died on his attempt to break water speed record for the 9th time. He, and Bluebird-the boat, had become the inspiration of Out of this World. The back screen displayed a black and white video footage of the day back in 1967, from the preparation until when the boat was flipped and crashed.

Then they performed two songs from Brave, Mad followed by The Great Escape. Once again it was very obvious that Hogarth really improved his theatrical expressive skill. His face expressions reflected the deep emotion of the songs.

The crowd went crazier when they performed Afraid of Sunlight. It was a nice view from the balcony to watch the crowd dancing and singing. The nice song was followed by Asylum Satellite #1, another brilliant song from HitR. I understand that some people judge the album as 'too mellow', but those are nice songs there!

Another crowd favorite was Between You and Me from Anoraknophobia. This song is always nice for live show, energetic and easy to sing. Hogarth also became more energetic, he climbed the speaker and sat there singing.
After that, finally we got something from Marbles, the magical Neverland. It was the third time I experienced this song being performed live and I liked it more than before. Steve Rothery delivered brilliant guitar solos.

After this song they went backstage, which surely could not be accepted by the crowd. But apparently they needed to do that because Hogarth changed his clothes to old style suit complete with eyeglasses and a walking stick. Pete started the groovy line of Invisible Man. This song was performed very well, one of their best performance for me. Hogarth really showed touching emotional expressions, very detail reflection about being invisible.

It was half an hour to midnight when they finished that wonderful song. Once again they went backstage, Hogarth changed back to his white shirt and pants. He explained that they had reached the time limit, but he said that he could not leave us yet...then he sang the main message...Happiness is the Road! This song started very calm, getting more and more powerful along the way. Pete shook the whole theater with his bass pedal. In the end Hogarth led the crowd to sing the 'Hapiness is the Road' line again and again, while the rest of the band disappeared backstage. Finally he embraced all the happiness from the crowd.
On the way back home, that line still echoed repeatedly in my head.

To conclude, it was another great live performance from Marillion. The production was generally better than their Christmas Tour, maybe because this tour was to promote the new album. The lights and screen were being used optimally. It was also nice idea to put small cameras close to each musician and projected the video on the screen.
The best part that night was the expressiveness. Hogarth really made me think about Peter Gabriel style on the stage. Pete was always moving everywhere. Even Steve Rothery walked to the other side couple of times. Ian Mosley was always consistent with his drumming. At last, as you noticed from HitR, lots of musical aspects were strongly built by keyboards sounds of Mark Kelly.
Marillion, thanks for bringing the happiness on the road!



Set list:
Dreamy Street
This Train Is My Life
Nothing Fills The Hole
Woke Up
The Other Half
Essence
Beautiful
The Man From The Planet Marzipan
Out Of This World
Mad
The Great Escape
Afraid Of Sunlight
Asylum Satellite #1
Between You and Me
Neverland
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Invisible Man
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Happiness Is The Road