Genesis Turn It On Again Tour
Amsterdam ArenA, 1 July 2007
Genesis is really an old friend of mine. I have known them since 1987 when I was only 12 years old. At that time I bought a cassette of Genesis called 'The very best of Genesis vol. 2', produced locally by Aquarius Indonesia. I still remember how I enjoyed their songs from Duke, Abacab, until Invisible Touch albums. I also had a copy of the Invisible Touch video containing clips of almost all songs from the album.
Several years after that I still followed their activities. I enjoyed We Can't Dance album, with nice songs like Driving the Last Spike and Fading Lights. It was even better when they released The Way We Walk live albums. From then on I was captivated by their 'ancient' songs from the 70's, thanks to the old medley.
Since that moment, it seemed like I traveled back in time. Slowly, in between my passion for music from that period like Metallica, Megadeth, Helloween, and other heavy stuffs, I threw myself back to the progressive-rock era by listening to Seconds Out, The Lamb Lies Down on Broadway, and the Archive 1967-75 box set.
After that there was no turning back, I collected their official albums completely plus the Archive box sets and the official DVD releases.
In the past two years I also got the chance to watch their 'reincarnation', The Musical Box. I watched them performed The Lamb Lies and Selling England shows.
With this prelude, I think you agree that I was one who got excited and happy when last year Genesis announced to back on stage in 2007. Well, not the most perfect formation, but we couldn't always get what we wanted, could we?
On a Saturday morning in November last year, I was one of the people who queued at the post office to get the ticket for Genesis' concert in Amsterdam ArenA, the only show in Holland. I got two tickets at the tribune, great!
Not much happening until few months back, when I bought the first Genesis SACD box set and re-shaped my memory of their songs with the wonderful 'new' sound of their albums between 1976-1982 period. I must admit that I really love this new SACD mix (kudos to Nick Davis).
I also got regular updates from Germany Genesis Fanclub website about the tour preparation and rehearsals, until finally they kicked out in Helsinki last month. After touring some cities in Europe, there came the first of July, when Genesis played the Amsterdam ArenA, and I was there!
It was a mild Sunday in the summer. It was not too hot and luckily it was not rain. I took the train from Eindhoven with my wife to Arena. We arrived there around half past seven in the evening. There were lots of people outside the ArenA, also at the queue to enter the stadium. The entrance process was smooth, no one bothered about digital pocket camera in the bag.
It was the first time I entered Amsterdam ArenA, the biggest stadium in Holland. It took already quite some energy to climb the stairs to reach the corridor of the tribune seats. Before entering the tribune, I bought a Genesis t-shirt. They also sold some interesting stuffs at the merchandise corner, including Anatomy Of A Tour book and Phil's The Long Goodnight documentary DVD.
After bought soft drinks and french fries, we entered the stadium. We got seats at the right-hand side tribune. Not until I checked the row number when I realized that our seats were at the highest row! We had a full view of the stadium and the stage, except the wide screen on the left-hand side.
The main stage was still hidden behind black curtain, but we could observe the whole stage layout. It was quite wide, with a wave-shaped background and two oval screens on both sides. There were seven metal towers soared above the background for lighting support. The festival area was almost full with people and it was not much different situation at the tribune.
About half past seven, the black curtain was removed. The main stage was not so big and the layout was a Genesis standard: Tony's keyboards at the right, two drums sets on the raised floor at the back, two pedal sets for Mike and Daryl, and center microphone stand. While the whole stadium was almost full, we still had to wait for another 45 minutes before the band hit the stage. It was pretty boring except for the light and the big screens testing.
But finally it started! No spectacular entrance, just the complete background turned on as white dotted lights, they kicked in with instrumental medley of Behind The Lines and Duke's End. Phil played drums, Mike took the center stage, and Tony was calm and serious as always. This instrumental opening was pretty good, I would say it was like a warming up for the band, kind of jamming session.
Behind The Lines
The second song was Turn It On Again, where Phil took the center stage. His vocal was still OK in spite of his age. I found these two opening songs from Duke were a perfect choice. After Turn It On Again, Phil shortly interacted with the audience, introduced Mr. Tony Banks and Mr. Mike Rutherford, warmly applauded by the crowd.
The following two songs were from newer era, No Son Of Mine and Land Of Confusion. The background was turned to a huge display screen, showed the ticking clock at the beginning of No Son Of Mine and the puppets during Land Of Confusion. The oval screens on both sides helped us on the tribune to watch 'closer' to the stage. It was nice to watch old Mike and white-haired Tony in action.
After those 'pop' songs, the band got down to real business with Phil started the familiar "I got sunshine in my stomach" line of In The Cage. Mike used his double neck for switching between guitar and bass. I enjoyed this part, Phil's vocal was good and the music was flawless. In The Cage was the first part of medley, where the instrumental part was smoothly moved to the instrumental part of The Cinema Show. Phil back behind his drums and they ended the medley with another smooth transition to Duke's Travels.
In The Cage
Almost as a continuation of the previous medley, the band played the calm Afterglow. It was another enjoyable moment for me since I always like this song from Wind and Wuthering album.
To maintain the stamina, at least in my opinion, they played another slow song, Hold On My Heart. Phil sat on a chair and the lights turned into pink-purple nuance, kind of romantic.
After two slow songs, Phil told his story about a scary house to begin the wonderful Home By The Sea suite. This song was performed perfectly. The visualization was brilliant, with images of the house, the face on the wall, and the ghosts animation. The sound was powerful, especially during Second Home By The Sea with double drums. The lighting was great, with raising spotlights on the light towers at the end of the song.
Home By The Sea
After a short stop, they performed Follow You Follow Me. Phil was playing drums while singing. This song was performed softly, even better with a nice simple animation showing characters from Genesis' album covers such as the Duke, walking son from We Can't Dance cover, sleeping lawn mower from Selling England, and Cynthia with her croquet stick from Nursery Crime.
Then came the second medley: Firth of Fifth - I Know What I Like. The performance was perfect, sounds great especially the solos from Daryl. What I like most from this song was the background slide, showing pictures of young Genesis faces, very nostalgic and touching. There were many pictures, combination of photo shoots and live pictures (including Gabriel's flower face from Supper's Ready). During Phil's tambourine dance, the background slide also showed the same dance but from around 25 years earlier!
At the end of the song, with reddened stage, there was a net being raised between the light towers, which made the stage looked like a huge crown. This medley was definitely my most favorite part of the show.
I Know What I Like
Mama, the next song, was good. Phil's sound and act were still worth watching. Especially because of his older look, the light show during the laughter part was terrific.
Not enough of old songs, the band performed the beautiful Ripples. Mike again used his double neck. We experienced another good performance of classic Genesis song, with nice green-yellowish light nuance and trees image background that reminded me to Roger Dean's art from albums of Yes. The crowd gave very warm applause at the end of this song.
Ripples
Back to the new era, Phil Collins chanted the popular intro of Throwing It All Away and surely followed by the crowd. Regardless of its pop style, this song is one of my Genesis favorites. The big screen showed candid shoots of the crowds during this song, gave us a very nice entertainment similar to what we usually get on sport live coverage. It was great to see people sang, then smiled or waved once they had known that they were on the screen.
Throwing It All Away
Another interaction with the audience, Phil explained his domino principle. Finally I was actively involved in this domino effect after watched it so many times in the DVD. The light was great, and the crowd responded eagerly.
The song itself was great. I enjoyed the calm first part and the powerful second part. Phil's vocal quality was still good. The visual effects were wonderful, showing falling domino pieces and Phil's face surrounded with light waves.
After the powerful Domino, the crew set up bar stool that placed between two drums sets. Then Phil and Chester performed the drum duet, this time started with the bar stool. I think the stool had a leather surface, which made the sound quite different. They gradually moved to the drums and performed the powerful and tight duet. The drum duet directly continued by Los Endos, a wonderful instrumental song from Genesis' progressive era. Once again I enjoyed Mike's double neck action. The background displayed fire flame animation, brilliant support to give progressive nuance.
Los Endos
After that the band performed their standard live songs, Tonight Tonight Tonight followed by Invisible Touch. They were nice as usual and Invisible Touch was one of crowd's favorite. I saw many people danced with this song.
Ending the Invisible Touch, the band went off the stage. Surely no one in the crowd agreed with this, so we shouted, clapped our hands, until finally we heard the electric drum intro of I Can't Dance. The sound effects were great, the walking was enjoyable, but for me the most wonderful aspect of this song was the background, where it displayed big size white walking Genesis at the beginning and then turned to many colorful of them at the end. Though I never really liked this song (honestly I booed at the end of this song) but still the performance could not be ignored.
I Can't Dance
After his dance at the end of I Can't Dance, Phil thanked Chester and Daryl, who got very warm applause from the audience. Then he announced the last song, mentioned that the song was very special for them. It was the beautiful Carpet Crawlers. Nothing could beat this nice calm song as the ending of the show, with very nice vocal harmony from the trio at the refrain.
Then it was over. We waited quite a while until we could walk down the tribune and walked in a hurry to catch our last train to home.
To conclude, off course it was a great show. It was not perfect, though. First of all, the acoustic of Amsterdam ArenA was terrible. From our place the echoes were enormous, sounded like there were two bands performed at both sides of the stadium at slightly different timing. Another thing that I could not totally appreciate was the neighboring crowd. It seems like there was a generation gap between some of them. Some people enjoyed the new songs and chatted, unfortunately quite loud, between themselves during the old songs. Some others loved the old songs and luckily they were wise enough to just keep quite during the new songs. So in the end I tend to appreciate old progressive fans than the young pop fans. Long live progressive rock!
Nevertheless, it was indeed a great show. The production was great, the lighting and the visual were beyond my expectation. The band was still great performers on the stage. Chester Thompson still very discipline with his tempo and Daryl Stuermer still sharp on the strings. Tony, Mike, and Phil were still solid as a team after 15 years break.
In the end, as an old friend, I would always remember this as a great show (have I mentioned it?). I cannot wait until they release the DVD from performance in Rome and also the next SACD box sets.
Genesis are:
Phil Collins - Vocals, Drums
Tony Banks - Keyboards, Vocals
Mike Rutherford - Guitars, Bass, Vocals
Supported by:
Chester Thompson - Drums
Daryl Stuermer - Guitars, Bass
Set list:
Behind The Lines / Duke's End
Turn It On Again
No Son Of Mine
Land Of Confusion
In The Cage / The Cinema Show / Duke's Travels
Afterglow
Hold On My Heart
Home By The Sea / Second Home By The Sea
Follow You Follow Me
Firth Of Fifth / I Know What I Like
Mama
Ripples
Throwing It All Away
Domino
Drum Duet
Los Endos
Tonight Tonight Tonight
Invisible Touch
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I Can't Dance
Carpet Crawlers
