The Musical Box Plays Genesis - Selling England by the Pound
De Vereeniging, Nijmegen, The Netherlands
27 January 2007
Last year when I watched The Final Lamb Tour from The Musical Box, I read a promotion flyer with this information:
"The Musical Box - Selling England by the Pound Farewell Tour 2007". Very pleased with their performance in the Lamb Lies show, I really had expected the Selling England show especially because it is my favourite Genesis album.
Last autumn I found out that the ticket was already on sale and I bought two tickets for the show in De Vereeniging, Nijmegen. This time I planned to watch the show with Chris, my colleague who is also fans of Genesis.
Based on previous setlist of Selling England shows either by The Musical Box or Genesis, I prepared myself with the songs so I could be one hundred percent into the show. I played the setlist almost everyday until the big day. I appreciated more and more the Selling England album, the brilliance of the composition and melody of the songs.
The show in De Vereeniging took place in the cold winter Saturday in the end of January. I decided to travel by train from Eindhoven and walked the short distance from Nijmegen train station to De Vereeniging. The hall lobby was full of people because the show was sold out. I met Chris near the entrance. Before entering the hall, we put our jackets in the wardrobe and I also managed to buy a tour t-shirt and a CD of David Myers, the keyboard player of The Musical Box, who played Genesis songs on grand piano.
Entering the half-full hall, we climbed the stair to the right side balcony where our seats were. We got seats at the first row of the balcony and it turned out to be very close to the stage. The view was very great, no obstacle whatsoever to the complete stage. Even it was a second-class seat, I found it was better than my first class seat during the Lamb Lies tour last year. Moreover, we had good view of the hall from the balcony, from where we could see how the hall became full until its maximum capacity, about 1450 people.
Note: Since I believe that The Musical Box is almost as real as Genesis, from now on I will use Genesis members name in the story.
From the balcony I also had a great view of the stage layout. The stage had white-coloured nuance with nine hourglass shaped structure for the background.
The keyboard and mellotron set was located more or less under our seats. Next to that, a bit further back on the stage I could see the drums set with some percussions hanged next to it. More to the center, there was a microphone stand for Peter Gabriel, with a side table for his flute and tambourine, and a base drum on the floor. Next to the microphone I could see the bass pedal that would be used by Mike Rutherford. The famous Rickenbaker double-neck guitar (one neck is a bass and another is guitar) was also ready for action. At the furthest corner, a small chair was prepared for Steve Hackett surrounded by his complex effect pedals.
The show supposed to start at 8 o'clock, and it was late for about half an hour. But it was worth to wait when the lights were dimmed and Tony Banks, Phil Collins, Steve Hackett, and Mike Rutherford walked to the stage from behind the background. They all dressed in white, PC in a white overall like a carpenter.
After a short sound check, Tony Banks played the famous intro of Watcher of the Skies from Foxtrot album. In the darkness we could see Peter Gabriel entered the stage in his standard 'watcher of the skies' costume: colourful robe with a bat wing-shaped top and fluorescent goggle. When he started the first verse, the background showed images of eyes, perfect for the image of the watcher. This song was perfect as an opening although it was never my Genesis favourite song. I found that the live version was better, especially with majestic stage act from Peter Gabriel and the mellotron sound from Tony Banks.
At the ending of Watcher of the Skies, PG disappeared to the backstage until the song was finished and the crowd gave a very warm applause. He wore a breastplate with Union Jack image and a knight helmet. After a short greeting to the audience and short explanation about the next song (he mentioned himself as the "pride of the British empire"), he started the famous opening of Dancing with the Moonlit Knight: "Can you tell me where my country lies?..."
This song was performed perfectly by the band, from the sweet melodic beginning part, through the complex sections in the middle with nice sound combination from Steve Hackett's guitar (with the tapping technique) and Tony Banks' mellotron, until the calm ending. The powerful voice of Peter Gabriel also made this song sounded very great.
The show continued with another short narration from Peter Gabriel about Romeo, who put his 'mushroom' under his armpit and later on put it in his mouth that gave him high sexual sensation, and Juliet, who was described as singing on a balcony with playing her breast that in the end had attracted Romeo, who then asked her to go to the cinema. This narration opened another great song from Selling England album: The Cinema Show.
With very peaceful beginning and nice vocal harmony from Peter Gabriel and Phil Collins, this song was always one of my favorite. It really stuck in my mind when they started the part with the nice guitar harmony and Peter sang "Take a little trip back with father Tiresias...". On top of the great tune, the lighting show was great with the usage of a turning disco ball above the stage being lighted by two spotlights, which gave very nice green circling lights all around the hall.
The end of the song was fully instrumental part, where only the later-on-famous-trio played on the stage while Peter and Steve disappeared to the backstage. Three of them played the part flawlessly, especially the unique drums sound from Phil Collins.
After The Cinema Show, Peter Gabriel wore a British police hat with a straw in his mouth, acted as the lawn mower with the way he walked, and the band started the mowing intro of I Know What I Like. This popular song attracted the audience to join the singing meanwhile enjoying the act of Peter did the lawn mowing. Phil Collins also had good moments in this song with his percussions and backing vocals.
Same as the song order in the album, I Know What I like was followed with Firth of Fifth, opened with a short narration about the five rivers. The intro piano sound from Tony Banks as well as his solos in the middle parts were really wonderful, completed by great long guitar solo from Steve Hackett. For me the continuation from The Cinema Show until Firth of Fifth was one of the greatest parts of the show.
After those great four songs from Selling England, Peter Gabriel told a story about Henry and Cynthia. This led to another great song from Genesis that used as the name of the currently performing band: The Musical Box. I really enjoyed the performance of Peter Gabriel in this song, his theatrical expressions, his flute playing, and especially his act as the old man in the ending of the song with old man voice and final orgasm after singing "touch me now..now..now..now".
The musical part was also brilliant, with powerful guitar and bass sound from Mike Rutherford. I could see clearly how he moved his foot on the bass pedals.
The audience really enjoyed the performance and we gave great applause after the song.
The atmosphere was brought back to a quiet-calm stage when Steve Hackett performed Horizons. I expected this great guitar piece to be followed with the next song as in Foxtrot album. But it turned out that Peter back onstage wearing gangster stocking mask, an indication that they would perform a complex song from Selling England album: The Battle of Epping Forest. This lyrically difficult song was played brilliantly and stage act from Peter, punching and fighting with a stick, helped us to enjoy the performance even better.
After the Battle, Peter for the last time told a story. This time the story was about old Michael, which followed by majestic opening of Supper's Ready, a great combination of three 12-string guitars sound and Peter's vocal. This epic song from Genesis was performed with full emotion by the band. Musically it was perfect, with a chance to watch Mike Rutherford on his bass pedals again.
Peter Gabriel also gave us great acts. He changed costumes several times, wore crown of thorns during The Guaranteed Eternal Sanctuary Man section, flower mask in Willow Farm section (remember "A flower?" part), black robe with strange geometrical head mask in Apocalypse in 9/8, until open his black robe to reveal his shining white costume in the last section (As Sure As Eggs is Eggs).
Supper's Ready got the loudest and longest applause from the crowd, until finally the band back onstage for the encore. Peter Gabriel mentioned shortly, "The knife", and then the band played the heavy riff of The Knife from Trespass album. Having not many choices for the encore, The Knife suited perfectly with its heavy rock yet symphonic nuance.
Finally the show was ended. We were greatly entertained for about 150 minutes with wonderful songs and performance. I walked back to the station with the tune of The Knife playing endlessly in my head. It was a fantastic show!
"The Musical Box - Selling England by the Pound Farewell Tour 2007". Very pleased with their performance in the Lamb Lies show, I really had expected the Selling England show especially because it is my favourite Genesis album.
Last autumn I found out that the ticket was already on sale and I bought two tickets for the show in De Vereeniging, Nijmegen. This time I planned to watch the show with Chris, my colleague who is also fans of Genesis.
Based on previous setlist of Selling England shows either by The Musical Box or Genesis, I prepared myself with the songs so I could be one hundred percent into the show. I played the setlist almost everyday until the big day. I appreciated more and more the Selling England album, the brilliance of the composition and melody of the songs.
The show in De Vereeniging took place in the cold winter Saturday in the end of January. I decided to travel by train from Eindhoven and walked the short distance from Nijmegen train station to De Vereeniging. The hall lobby was full of people because the show was sold out. I met Chris near the entrance. Before entering the hall, we put our jackets in the wardrobe and I also managed to buy a tour t-shirt and a CD of David Myers, the keyboard player of The Musical Box, who played Genesis songs on grand piano.
Entering the half-full hall, we climbed the stair to the right side balcony where our seats were. We got seats at the first row of the balcony and it turned out to be very close to the stage. The view was very great, no obstacle whatsoever to the complete stage. Even it was a second-class seat, I found it was better than my first class seat during the Lamb Lies tour last year. Moreover, we had good view of the hall from the balcony, from where we could see how the hall became full until its maximum capacity, about 1450 people.
Note: Since I believe that The Musical Box is almost as real as Genesis, from now on I will use Genesis members name in the story.
From the balcony I also had a great view of the stage layout. The stage had white-coloured nuance with nine hourglass shaped structure for the background.
The keyboard and mellotron set was located more or less under our seats. Next to that, a bit further back on the stage I could see the drums set with some percussions hanged next to it. More to the center, there was a microphone stand for Peter Gabriel, with a side table for his flute and tambourine, and a base drum on the floor. Next to the microphone I could see the bass pedal that would be used by Mike Rutherford. The famous Rickenbaker double-neck guitar (one neck is a bass and another is guitar) was also ready for action. At the furthest corner, a small chair was prepared for Steve Hackett surrounded by his complex effect pedals.
The show supposed to start at 8 o'clock, and it was late for about half an hour. But it was worth to wait when the lights were dimmed and Tony Banks, Phil Collins, Steve Hackett, and Mike Rutherford walked to the stage from behind the background. They all dressed in white, PC in a white overall like a carpenter.
After a short sound check, Tony Banks played the famous intro of Watcher of the Skies from Foxtrot album. In the darkness we could see Peter Gabriel entered the stage in his standard 'watcher of the skies' costume: colourful robe with a bat wing-shaped top and fluorescent goggle. When he started the first verse, the background showed images of eyes, perfect for the image of the watcher. This song was perfect as an opening although it was never my Genesis favourite song. I found that the live version was better, especially with majestic stage act from Peter Gabriel and the mellotron sound from Tony Banks.
At the ending of Watcher of the Skies, PG disappeared to the backstage until the song was finished and the crowd gave a very warm applause. He wore a breastplate with Union Jack image and a knight helmet. After a short greeting to the audience and short explanation about the next song (he mentioned himself as the "pride of the British empire"), he started the famous opening of Dancing with the Moonlit Knight: "Can you tell me where my country lies?..."
This song was performed perfectly by the band, from the sweet melodic beginning part, through the complex sections in the middle with nice sound combination from Steve Hackett's guitar (with the tapping technique) and Tony Banks' mellotron, until the calm ending. The powerful voice of Peter Gabriel also made this song sounded very great.
The show continued with another short narration from Peter Gabriel about Romeo, who put his 'mushroom' under his armpit and later on put it in his mouth that gave him high sexual sensation, and Juliet, who was described as singing on a balcony with playing her breast that in the end had attracted Romeo, who then asked her to go to the cinema. This narration opened another great song from Selling England album: The Cinema Show.
With very peaceful beginning and nice vocal harmony from Peter Gabriel and Phil Collins, this song was always one of my favorite. It really stuck in my mind when they started the part with the nice guitar harmony and Peter sang "Take a little trip back with father Tiresias...". On top of the great tune, the lighting show was great with the usage of a turning disco ball above the stage being lighted by two spotlights, which gave very nice green circling lights all around the hall.
The end of the song was fully instrumental part, where only the later-on-famous-trio played on the stage while Peter and Steve disappeared to the backstage. Three of them played the part flawlessly, especially the unique drums sound from Phil Collins.
After The Cinema Show, Peter Gabriel wore a British police hat with a straw in his mouth, acted as the lawn mower with the way he walked, and the band started the mowing intro of I Know What I Like. This popular song attracted the audience to join the singing meanwhile enjoying the act of Peter did the lawn mowing. Phil Collins also had good moments in this song with his percussions and backing vocals.
Same as the song order in the album, I Know What I like was followed with Firth of Fifth, opened with a short narration about the five rivers. The intro piano sound from Tony Banks as well as his solos in the middle parts were really wonderful, completed by great long guitar solo from Steve Hackett. For me the continuation from The Cinema Show until Firth of Fifth was one of the greatest parts of the show.
After those great four songs from Selling England, Peter Gabriel told a story about Henry and Cynthia. This led to another great song from Genesis that used as the name of the currently performing band: The Musical Box. I really enjoyed the performance of Peter Gabriel in this song, his theatrical expressions, his flute playing, and especially his act as the old man in the ending of the song with old man voice and final orgasm after singing "touch me now..now..now..now".
The musical part was also brilliant, with powerful guitar and bass sound from Mike Rutherford. I could see clearly how he moved his foot on the bass pedals.
The audience really enjoyed the performance and we gave great applause after the song.
The atmosphere was brought back to a quiet-calm stage when Steve Hackett performed Horizons. I expected this great guitar piece to be followed with the next song as in Foxtrot album. But it turned out that Peter back onstage wearing gangster stocking mask, an indication that they would perform a complex song from Selling England album: The Battle of Epping Forest. This lyrically difficult song was played brilliantly and stage act from Peter, punching and fighting with a stick, helped us to enjoy the performance even better.
After the Battle, Peter for the last time told a story. This time the story was about old Michael, which followed by majestic opening of Supper's Ready, a great combination of three 12-string guitars sound and Peter's vocal. This epic song from Genesis was performed with full emotion by the band. Musically it was perfect, with a chance to watch Mike Rutherford on his bass pedals again.
Peter Gabriel also gave us great acts. He changed costumes several times, wore crown of thorns during The Guaranteed Eternal Sanctuary Man section, flower mask in Willow Farm section (remember "A flower?" part), black robe with strange geometrical head mask in Apocalypse in 9/8, until open his black robe to reveal his shining white costume in the last section (As Sure As Eggs is Eggs).
Supper's Ready got the loudest and longest applause from the crowd, until finally the band back onstage for the encore. Peter Gabriel mentioned shortly, "The knife", and then the band played the heavy riff of The Knife from Trespass album. Having not many choices for the encore, The Knife suited perfectly with its heavy rock yet symphonic nuance.
Finally the show was ended. We were greatly entertained for about 150 minutes with wonderful songs and performance. I walked back to the station with the tune of The Knife playing endlessly in my head. It was a fantastic show!
Complete setlist:
- Watcher of the Skies
- Dancing with the Moonlit Knight
- The Cinema Show
- I Know What I Like (In Your Wardrobe)
- Firth of Fifth
- The Musical Box
- Horizons
- The Battle of Epping Forest
- Supper's Ready
-----------------
- The Knife
The Musical Box are:
Denis Gagné as Peter Gabriel: Vocals, Flute, Oboe, Percussions
François Gagnon as Steve Hackett: Electric guitar, 6 strings acoustic guitar, 12 strings acoustic guitar
Sébastien Lamothe as Mike Rutherford: Bass, 12 strings electric guitar, Bass pedals, Back vocals
Martin Levac as Phil Collins: Drums, Percussions, Vocals
David Myers as Tony Banks: Keyboards, 12 strings acoustic guitar, Back vocals
